The eponymous castle is the setting for three stories that gradually intertwine. Castellan Vašek offers a place to stay at the castle to singer Jana, who is trying to hide from her angry boyfriend. He is jealous of her and sets out to look for her at the castle with his bandmates. Local man Olin is looking for his wife, who is rehearsing a folklore performance for the village anniversary and has not arrived home, and due to a misunderstanding, he also searches the castle. The last actor is a thief who tries to steal a rare painting from the castle and has to flee from a polar bear. How will this confusion turn out?

Olga, a young and sensitive governess, comes to an impoverished aristocratic family full of ideals and determination to love the children entrusted to her. Lonely among people, she experiences the feeling of not belonging anywhere. Neither among the arrogant nobility nor among the servants. She experiences many situations that hurt and humiliate her, but at the same time teach her lessons for her future life.

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Princess Antonia rules harshly, squeezing her subjects, but the royal treasury benefits. The success of her reign fills Antonia with unchristian pride, she is domineering, greedy, unkind to her royal mother and to the baker Matthias, who genuinely loves her. How else, comes the just punishment. Princess Antonia finds herself and her entire castle in the power of the infernalists, and she has plenty of time to reckon with her conscience.

A little-known adaptation of Jaroslav Vrchlický's play is returning to the television screen, full of humorous plots, telling the story of the courage of two women in love who, because of their love, infiltrated Karlštejn Castle, where women are forbidden to enter by order of the monarch. It was created with a number of star actors eight years before the now legendary film adaptation by Zdeněk Podskalský. When it premiered in 1965, it aroused a stormy, positive and negative response. Quite naturally, because Filip's concept of this classic play, albeit in the authentic setting of Karlštejn Castle, was completely new and unconventional at the time. This adaptation of the classic original uses the melodies of popular Czech and foreign hits with lyrics by P. Kopta. For example, the ruler's arrival at the castle was announced by the melody of the popular song Jó, třešné zrály. However, professional singers mostly sing for the actors here.

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For years, on the evening of December 12, on the anniversary of the introduction of martial law in Poland, demonstrations have been held outside Wojciech Jaruzelski's house. On such an evening in 2000, Teresa Torańska and her film crew pay him a visit.

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The story of an unhappy, childless princess, her loving husband and the poor villagers threatened by a terrible disease, who finally received help from above.